By John Spitzer
Studies of live performance existence in nineteenth-century the USA have as a rule been restricted to giant orchestras and the courses we're accustomed to at the present time. yet as this booklet unearths, audiences of that period loved way more varied musical reviews than this concentration might recommend. to listen to an orchestra, humans have been likely to head to a lager backyard, eating place, or summer time hotel than to a live performance corridor. And what they heard weren’t simply symphonic works—programs additionally integrated opera excerpts and preparations, instrumental showpieces, comedian numbers, and medleys of patriotic tunes.
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